Recorded by Sam Beam (before he went as Iron & Wine) while he was still studying at Florida State University, these 1998–99 tracks amount to the first Iron & Wine album. Recorded with his house mate... more

This double CD/triple LP collects songs ranging from out-of-print to never-before-released and spans Iron And Wine's earliest sessions which yielded the band's debut (2002's THE CREEK DRANK THE... more

Sam Beam—a.k.a. Iron & Wine—returns with his most deeply personal album yet, and the first that he's produced since "The Creek Drank the Cradle." There's pain and personal exploration at work here,... more

One of those one-guy-and-his-tape deck affairs. An ode to an older South of traditional values, pastoral imagery, and arcane manners. This is arresting stuff, intimate "American Gothic" style... more

Light Verse arrives April 26th, and it's Iron & Wine's seventh full-length overall and fifth for Sub Pop Records. Fashioned as an album that should be taken as a whole, it sounds lovingly handmade... more

On his second full-length, Sam Beam "launches balloons of sweetly whispered regret over trance-inducing backwoods string arrangements and watches them float away, his heart in tow - Entertainment... more

Sam Beam returns with a follow-up EP to last yyear's THE CREEK DRANK THE CRADLE. The songs here were culled from the same batch of bedroom recordings and the EP also serves as a precursor to Iron And... more

Iron and Wine's most ambitious and accomplished recording to date, and also the most satisfying. While many of US learned of Iron and Wine by way of the tender and spare rendering of the Postal... more

When Iron & Wine songwriter Sam Beam got ready to finish the band's 2017 album "Beast Epic" (which went on to earn a Grammy nomination), he realized he was running out of time and wouldn't be able to... more

Iron & Wine's Who Can See Forever is an accompanying live record to the film of the same name. Captured at Haw River Ballroom in Saxapahaw, North Carolina, the soundtrack features nineteen songs from... more

Sam Beam's third recorrd is striking both for it's broadened instrumental palette and it's thematic focus on female characters both archetypal and personal. He frames his melancholy in concrete... more